Is the e-book a dead format?

For the moment, reports of the e-book’s death are exaggerated. If the disinterest of Amazon and resistance from the book trade continue, however, there is a chance that the e-book is killed — in my view, prematurely. Publishers should see e-books as complementary to print rather than as competition. Letting the e-book die may benefit print sales in the short-term, but the wider transition to digital media consumption presents a longer-term threat. Books need to remain visible and distinct from other genres of writing in the competition for attention. Publishers may wish to build upon the success of e-book/audiobook bundling to build a sustainable future for the e-book.

Up to this moment, existing publishers have spent most of their efforts trying to replicate traditional publishing paradigms and business practices in the digital domain, mainly in order to preserve the status quo.

I believe that if we want to leverage the full potential of digital publishing we have to shift to an entirely new, social-driven approach.

I have been saying this for years, in fact, I literally took these paragraphs from a pitch I made in 2014.

via thebookseller.com
August 8, 2017
Share

You may also find interesting:

The beginning of silent reading changed Westerners’ interior life

For centuries, Europeans who could read did so aloud. The ancient Greeks read their texts aloud. So did the monks of Europe’s dark ages. But by the 17th century, reading society in Europe had changed drastically. Text technologies, like moveable type, and the rise of vernacular writing helped usher in the practice we cherish today: taking in words without saying them aloud, letting them build a world in our heads.

If a relatively small typographic advancement had such a profound impact on the way we construct reality, imagine what being constantly interconnected with every other individual in the world will mean for future generations.

via quartzy.qz.com
November 25, 2017

DRM Is Toxic To Culture

DRM is

The problem with technology-enforced restrictions isn’t that they allow legitimate enforcement of rights; it’s the collateral damage they cause in the process. In my personal opinion the problems are (very concisely) that they:

  1. quantise and prejudge discretion,
  2. reduce “fair use” to “historic use”,
  3. empower a hierarchical agent to remain in the control loop, and
  4. condemn content to become inaccessible.

Insightful analysis of the troubling collateral damages of Digital Rights Management technologies by Simon Phipps. While the short-term disadvantages of DRM may seem obvious, especially from a UX perspective, the long-term implications could be way more damaging in terms of access to our cultural heritage.

via meshedinsights.com
November 14, 2017

Vonnegut: How To Write With Style

Vonnegut

All these varieties of speech are beautiful, just as the varieties of butterflies are beautiful. No matter what your first language, you should treasure it all your life. If it happens to not be standard English, and if it shows itself when your write standard English, the result is usually delightful, like a very pretty girl with one eye that is green and one that is blue.

I myself find that I trust my own writing most, and others seem to trust it most, too, when I sound most like a person from Indianapolis, which is what I am. What alternatives do I have? The one most vehemently recommended by teachers has no doubt been pressed on you, as well: to write like cultivated Englishmen of a century or more ago.

Kurt Vonnegut, as brilliant as ever, explaining the importance of simplicity, clarity, and authenticity in writing.

via novelr.com
February 22, 2017
View all Bits